I want to work with Cherry Jones.

That's always a fun thing to play, a relationship where there's equals. I often play roles that are repressive, or women who are slightly repressed or having some kind of internal conflict.

One day, when I was 33, I shifted. I suddenly saw acting as a higher calling. I understood that my goal was to serve the play. And I realized if an actor can make audiences' hearts resonate or make them question their values - that's an important thing to do!

It's funny, oftentimes the really great roles that I enjoy are in classic plays, and there aren't many theatres in New York who will do them, aside from Roundabout.

I'd rather do a great play than a mediocre play in New York. As much as I'd like to be seen in New York, that's not my driving motivation. My motivation is to play great roles, wherever they happen.

I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.

A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.

Tennessee Williams is an incredible writer for women because, in many ways, his women characters are him. He writes so passionately.

Often I play, especially on television, a lot of smart lawyer people and cerebral types.

It has always been a dream of mine to put a play on film.